Payoji Maine Ram Ratan Dhan Payo
By Mirabai · हिन्दी
॥ શ્રી કૃષ્ણાય નમઃ ॥
Shri Krishnaya Namah
Payoji Maine Ram Ratan Dhan Payo
By Mirabai
हिन्दी · 16th century · Bhajan
A bhajan by the 16th-century princess-saint Mirabai. She declares she has found the one treasure beyond price — the Name of God. A joy that, unlike worldly riches, cannot be spent, stolen or lost.
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पायो जी मैंने राम रतन धन पायो। वस्तु अमोलक दी मेरे सतगुरु, किरपा कर अपनायो ॥
जनम जनम की पूँजी पाई, जग में सभी खुवायो। खरचै नहिं कोई चोर न लूटे, दिन-दिन बढ़त सवायो ॥
सत की नाव खेवटिया सतगुरु, भवसागर तर आयो। मीरा के प्रभु गिरिधर नागर, हरख-हरख जस गायो ॥
I have found the priceless jewel — the wealth that is Ram. My true guru, in grace, granted me this treasure. It is the wealth of countless lifetimes, while the world has lost all. Spending does not exhaust it, thieves cannot steal it; day by day it only multiplies.
A bhajan by the 16th-century princess-saint Mirabai. She declares she has found the one treasure beyond price — the Name of God. A joy that, unlike worldly riches, cannot be spent, stolen or lost.
Mirabai's song of finding the priceless jewel of the Divine Name — a wealth no one can steal.
In depth
I have found the priceless jewel — the wealth that is Ram. My true guru, in grace, granted me this treasure. It is the wealth of countless lifetimes, while the world has lost all. Spending does not exhaust it, thieves cannot steal it; day by day it only multiplies.
Mirabai (c. 1498–1547), Rajput princess and saint-poet, devoted her life to Krishna. One of her most loved bhajans.
Sung in bhajan gatherings and Krishna temples as an expression of the joy of devotion — and of choosing inner riches over outer status.
मीराबाई
Mirabai was a Rajput princess turned wandering devotee, remembered as one of the most fearless voices of the bhakti movement. She gave herself wholly to Krishna — whom she called Giridhar Nagar, the lifter of Mount Govardhan — and sang of him as her only lord and beloved.
Her padas, composed in Rajasthani and Braj, speak of a love that sets aside rank, custom and fear of the world. For generations of singers, especially women, her voice has stood for the freedom to choose devotion over convention.
Much of her life survives as devotional tradition; her dates and several famous episodes are the traditional account rather than firmly documented fact.
Notable works
Dates and several celebrated episodes are devotional tradition, not documented history.
Mirabai · 16th century
Mirabai rejoices in the imperishable wealth of Krishna's name.
Narsinh Mehta · 15th century
Gujarat's beloved definition of a true devotee: one who feels another's pain as their own.
Kali-Santarana Upanishad · Ancient
The sixteen-name great mantra of Krishna and Rama.
Traditional · Traditional
I worship the Infallible One, Keshava, Rama, Narayana; Krishna the bound-bellied, Vasudeva, Hari; bearer of Lakshmi (Shridhara), Madhava, beloved of…
Vallabhacharya · 15th century
Eight verses on the sweetness of Krishna — where every line ends in 'madhuram', sweet.
Traditional · Traditional
Glory to Shri Krishna, Govind, Hari, Murari — slayer of Mura.
Devotional commentary and life lessons are editorial reflections. Historical details are limited to well-documented facts; devotional belief is labelled as tradition, never presented as proven history.